WHY I MAKE MOVIES
WHY I MAKE MOVIES

The film’s sense of humor, and disturbing honesty, are what elevate it. Whether a filmmaker (film fest journalist, juror or other privileged attendee) is willing to publicly admit to this scenario is moot; the film is nonetheless easy for many of us to appreciate and relate…



Posted on April 23, 2014 in Reviews by

Latest Posts

THE DIVORCE
THE DIVORCE

If this sounds like an interesting plot, you’re on the right track. There’s no doubt that Naylor has written a most intriguing and suspenseful screenplay…



Posted on April 23, 2014 in Reviews by
THE WOOD HOUSE
THE WOOD HOUSE

Most of all, I love the film’s shocking ending which is a bit ambiguous and open ended, raising questions about the characters, and ourselves should we find ourselves in similar circumstances.



Posted on April 23, 2014 in Reviews by
WESSELMANIA: INTERVIEW WITH FILMMAKER LARRY WESSEL
WESSELMANIA: INTERVIEW WITH FILMMAKER LARRY WESSEL

It’s really no surprise then that the man who devoured “Famous Monsters of Filmland” and considers Francois Truffaut’s “Hitchcock” to be his Bible would start making films in 1968 at a mere 11 years old…



Posted on April 23, 2014 in Interviews by
DIGITAL CELLULOID – ISSUE 200: WELCOME TO SLENDERLAND
DIGITAL CELLULOID – ISSUE 200: WELCOME TO SLENDERLAND

Digital Celluloid, a comic strip by artist Chris Cirillo, pokes fun at the films of today, tomorrow and yesterday. Whether it is a classic or an upcoming blockbuster, no film is safe! This week, you’re not in Kansas anymore…



Posted on April 23, 2014 in Digital Celluloid, Features by
BILL ZEBUB: CONTROVERSY, HOT WOMEN, AND WASTELAND WALKOUTS
BILL ZEBUB: CONTROVERSY, HOT WOMEN, AND WASTELAND WALKOUTS

Love him or hate him, understand him or revile him, you still need to know about Zebub’s filmography…



Posted on April 22, 2014 in Features by