THE CURSE OF MICAH ROOD
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 35 minutes |
PHILADELPHIA TERROR FILM FESTIVAL SHORT FILM! I am not sure I have ever heard a worse attempt at an Irish accent. The guy who voices the leprechaun in the old Lucky Charms cereal commercials is more convincing.

Posted on October 8, 2009 by James Teitelbaum
THICKER THAN WATER: THE VAMPIRE DIARIES, PART I
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 96 minutes |
PHILADELPHIA TERROR FILM FESTIVAL FEATURE! It seems as though part way through production someone on set looked around and said, “This is all rather silly, isn’t it?�

Posted on October 8, 2009 by James Teitelbaum
HOLE IN THE GROUND
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![]() Year Released: 2009 MPAA Rating: Unrated Running Time: 40 minutes |
Like Zack’s life, this film has little real purpose.

Posted on October 4, 2009 by James Teitelbaum
PIRATE RADIO USA
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![]() Year Released: 2006 MPAA Rating: Unrated Running Time: 84 minutes |
This fast-paced documentary is ostensibly about outdated radio piracy, but by the end it spirals into a blunt indictment of several ways the American society and government are falling apart.

Posted on September 29, 2009 by James Teitelbaum
UNVERWUNDBAR (INVULNERABLE)
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![]() Year Released: 2009 MPAA Rating: Unrated Running Time: 25 minutes |
Rather than being a coming of age epic, or even a full coming of age story, “Unverwundbar” is simply a coming of age vignette.

Posted on September 25, 2009 by James Teitelbaum
LAST HOUSE IN THE WOODS (IL BOSCO FUORI)
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![]() Year Released: 2007 MPAA Rating: Unrated Running Time: 85 minutes |
I am not sure what inspires young filmmakers to continually rehash this same tired nonsense, but if you’re going to do so, at least bring something new to it.

Posted on September 22, 2009 by James Teitelbaum
COOKIES AND CREAM
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 90 minutes |
“Cookies and Cream,” at its best, feels like a sophomore student film, and not one that might have been graded particularly well.

Posted on September 21, 2009 by James Teitelbaum
HA-SODOT (THE SECRETS)
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![]() Year Released: 2007 MPAA Rating: R Running Time: 127 minutes |
A layered and complex story that deals, ultimately, with feminism in 21st-century Orthodox Judaism.

Posted on September 19, 2009 by James Teitelbaum
ECOUTE LE TEMPS (FISSURES) (DVD)
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![]() Year Released: 2006 MPAA Rating: Unrated Running Time: 83 minutes |
A languidly paced supernatural thriller that lacks motivation.

Posted on September 14, 2009 by James Teitelbaum
INDYFANS AND THE QUEST FOR FORTUNE AND GLORY
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 80 minutes |
No one nowhere has anything interesting to say.

Posted on September 10, 2009 by James Teitelbaum
MASS ROMANTIC
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 111 minutes |
A largely – and tragically – improvised film.

Posted on September 5, 2009 by James Teitelbaum
THE INNOCENT KILLERS (DVD)
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 122 minutes |
I was unable to detect much innocence in the characters: they’re all cops, killers, cop killers, and criminal kingpins. The innocence might reside behind the scenes: the cast members innocent to the art of acting, as are the lighting people and the scriptwriters to their respective crafts.

Posted on September 1, 2009 by James Teitelbaum
EL SEGUNDO
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![]() Year Released: 2006 MPAA Rating: Unrated Running Time: 89 minutes |
As low-budget indie Tex-Mex mystical adventure films go (and really this is a booming genre, right?), “El Segundo” is at least modestly entertaining.

Posted on August 29, 2009 by James Teitelbaum
THE END OF ALL THINGS
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![]() Year Released: 2008 MPAA Rating: Unrated Running Time: 30 minutes |
A shaky camera whip-panning back and forth during conversations drags an attempt at a documentarian feel into confusion.

Posted on August 27, 2009 by James Teitelbaum
WAITIN’
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![]() Year Released: 2009 MPAA Rating: Unrated Running Time: 14 minutes |
The short “Waitin’” reveals itself as a glimpse into the mind of someone who is hurting, and through its ambiguity, the film allows viewers to project their own experiences onto Sally’s confusion.

Posted on July 14, 2009 by James Teitelbaum







