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	<title>Film Threat &#187; Matthew Sorrento</title>
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	<description>Celebrating 25 Years of Truth in Entertainment! Conversations about independent movies, top movies reviews and film festivals.</description>
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		<title>EATING RAOUL: CRITERION COLLECTION</title>
		<link>http://www.filmthreat.com/reviews/58221/</link>
		<comments>http://www.filmthreat.com/reviews/58221/#comments</comments>
		<pubDate>Sun, 25 Nov 2012 05:01:18 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Capitalism]]></category>
		<category><![CDATA[Mary Woronov]]></category>
		<category><![CDATA[Paul Bartel]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=58221</guid>
		<description><![CDATA[In an obsessively consumptive culture like America’s, the only way for a common couple to strive is through killing, then consuming...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A NATURAL TO TRADITION: SPIKE LEE ON &#8220;RED HOOK SUMMER&#8221;</title>
		<link>http://www.filmthreat.com/interviews/54555/</link>
		<comments>http://www.filmthreat.com/interviews/54555/#comments</comments>
		<pubDate>Thu, 30 Aug 2012 04:03:06 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=54555</guid>
		<description><![CDATA[You could imagine Spike Lee, in his preteen years, taking in every classic movie that came on TV. In his 25-plus-year career he's included enough allusions and genres to suggest he was raised on film history. But during a recent phone conversation, Spike says it ain't so...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>GOD BLESS AMERICA</title>
		<link>http://www.filmthreat.com/reviews/47780/</link>
		<comments>http://www.filmthreat.com/reviews/47780/#comments</comments>
		<pubDate>Mon, 21 May 2012 04:00:26 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2012 sxsw film festival]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=47780</guid>
		<description><![CDATA[Goldthwait's distinctive style should leave no one questioning the value of this comedian/actor-turned-filmmaker. He ponders his art and has the ability to execute ideas...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>GOOD FOR NOTHING</title>
		<link>http://www.filmthreat.com/reviews/49141/</link>
		<comments>http://www.filmthreat.com/reviews/49141/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 04:01:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=49141</guid>
		<description><![CDATA[Taking the western to glorious landscapes of New Zealand, "Good for Nothing" has an admirable spirit, even if its goals in genre treatment are puzzling...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>IN THE LAND OF BLOOD AND HONEY</title>
		<link>http://www.filmthreat.com/reviews/44859/</link>
		<comments>http://www.filmthreat.com/reviews/44859/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 05:01:35 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=44859</guid>
		<description><![CDATA[Though Jolie's intentions seem honest, any seasoned cineaste would wonder why a debuting filmmaker would go for material as challenging as the Serbian genocide in Bosnia...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>THE ARTIST</title>
		<link>http://www.filmthreat.com/reviews/44517/</link>
		<comments>http://www.filmthreat.com/reviews/44517/#comments</comments>
		<pubDate>Fri, 23 Dec 2011 05:05:32 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=44517</guid>
		<description><![CDATA[It's no small feat to inform and entertain; perhaps this is why such tributes, like the films of Guy Maddin (which often reinterpret or deconstruct the style of old) come from passion...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>THE SKIN I LIVE IN</title>
		<link>http://www.filmthreat.com/reviews/41830/</link>
		<comments>http://www.filmthreat.com/reviews/41830/#comments</comments>
		<pubDate>Sat, 19 Nov 2011 05:05:24 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=41830</guid>
		<description><![CDATA[How eerie and satisfying is it to see Pedro Almodóvar take on science...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/41830/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>WHERE&#8217;S DADDY? THE LEGACY OF &#8220;THE BAD SEED&#8221; (1956)</title>
		<link>http://www.filmthreat.com/blogs/42492/</link>
		<comments>http://www.filmthreat.com/blogs/42492/#comments</comments>
		<pubDate>Mon, 31 Oct 2011 04:00:20 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Featured Story]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=42492</guid>
		<description><![CDATA[HAPPY HALLOWEEN! Mervyn LeRoy's <em>The Bad Seed </em>(1956) premiered an anxiety that would soon blossom in the American cinema: a fear that our offspring could prove rotten, devilish...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>5</slash:comments>
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		<title>REAL STEEL</title>
		<link>http://www.filmthreat.com/reviews/41438/</link>
		<comments>http://www.filmthreat.com/reviews/41438/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 04:01:29 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=41438</guid>
		<description><![CDATA[The film serves a broad audience without exploiting the classic boxing tradition...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/41438/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>HAPPY ACCIDENTS: INTERVIEW WITH FILMMAKER EVAN GLODELL ON &#8220;BELLFLOWER&#8221;</title>
		<link>http://www.filmthreat.com/interviews/40271/</link>
		<comments>http://www.filmthreat.com/interviews/40271/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 04:03:04 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=40271</guid>
		<description><![CDATA[Actor-writer-director Evan Glodell made “Bellflower” over a number of years, on his own time and dollar. He speaks from experience, and yet – like many debuting filmmakers – seems caught in the headlights...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/interviews/40271/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RISE OF THE PLANET OF THE APES</title>
		<link>http://www.filmthreat.com/reviews/39151/</link>
		<comments>http://www.filmthreat.com/reviews/39151/#comments</comments>
		<pubDate>Sat, 06 Aug 2011 00:01:57 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2001: A Space Odyssey]]></category>
		<category><![CDATA[Franklin J. Schaffner]]></category>
		<category><![CDATA[genre]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=39151</guid>
		<description><![CDATA["Rise" wears “Planet's” mask to use “2001's” conceit. In this sense, Franco-stein begets a monster worthy of our consideration and viewing pleasure...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/39151/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>KARATE-ROBO ZABORGAR</title>
		<link>http://www.filmthreat.com/reviews/38486/</link>
		<comments>http://www.filmthreat.com/reviews/38486/#comments</comments>
		<pubDate>Fri, 29 Jul 2011 04:51:26 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=38486</guid>
		<description><![CDATA[2011 FANTASIA FILM FESTIVAL SELECTION! It's fast, funny, and a pleasure for the eye. In my mind, that's a triumph of popcorn-crunching entertainment...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/38486/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>FINISTERRAE</title>
		<link>http://www.filmthreat.com/reviews/38554/</link>
		<comments>http://www.filmthreat.com/reviews/38554/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 04:04:06 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=38554</guid>
		<description><![CDATA[2011 PHILADELPHIA DANGER AFTER DARK FEATURE! With absurdism relying on comical irony, the film has its share of legit jokes, though we soon expect far more than the film can deliver...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/38554/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>BIRTHRIGHT</title>
		<link>http://www.filmthreat.com/reviews/38187/</link>
		<comments>http://www.filmthreat.com/reviews/38187/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 12:07:57 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=38187</guid>
		<description><![CDATA[2011 PHILADELPHIA DANGER AFTER DARK FEATURE! Can a film redeem itself for excessive tedium?<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/38187/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>THE LAST MOUNTAIN</title>
		<link>http://www.filmthreat.com/reviews/37112/</link>
		<comments>http://www.filmthreat.com/reviews/37112/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 04:01:37 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=37112</guid>
		<description><![CDATA[This film is a case where content trumps any criticisms about the style. Haney's film relates information with clarity sans any special flourish...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/37112/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>FERRELL WAS FINE WHEN THEY SAID &#8220;EVERYTHING MUST GO&#8221;</title>
		<link>http://www.filmthreat.com/blogs/36182/</link>
		<comments>http://www.filmthreat.com/blogs/36182/#comments</comments>
		<pubDate>Fri, 27 May 2011 20:21:02 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Blogs]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=36182</guid>
		<description><![CDATA[The film allows Ferrell the chance work on his own, discovering nuance in the quiet out beyond Nick's stormy mind. It's a triumphant performance that promises much range from what seemed a one-burner hot plate of an actor...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/blogs/36182/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE HANGOVER PART II</title>
		<link>http://www.filmthreat.com/reviews/36115/</link>
		<comments>http://www.filmthreat.com/reviews/36115/#comments</comments>
		<pubDate>Wed, 25 May 2011 18:10:31 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=36115</guid>
		<description><![CDATA[Phillips wants us to feel like the drunk guy wedged between two others in a backseat, with the car seeming to whip by, even if it's probably a beater doing 30 mph...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/36115/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>VISION: FROM THE LIFE OF HILDEGARD VON BINGEN (DVD)</title>
		<link>http://www.filmthreat.com/reviews/35265/</link>
		<comments>http://www.filmthreat.com/reviews/35265/#comments</comments>
		<pubDate>Wed, 18 May 2011 15:34:59 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Barbara Sukowa]]></category>
		<category><![CDATA[Margarethe von Trotta]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=35265</guid>
		<description><![CDATA[When it comes to nuns onscreen, more viewers are wary than curious. Today, they too easily embody repression, their habits suggesting all they restrict from themselves and stifle within...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/35265/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>CRACKS</title>
		<link>http://www.filmthreat.com/reviews/35585/</link>
		<comments>http://www.filmthreat.com/reviews/35585/#comments</comments>
		<pubDate>Mon, 16 May 2011 15:23:49 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=35585</guid>
		<description><![CDATA[From a Scott, especially a young one, we expect snappy scenes and editing down the high school hallways. "Cracks" begins on a quieter tone, though perversion and rivalry will find their way in...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/35585/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>TRICKED BY THE SURFACE; OR, WHY &#8220;INSIDIOUS&#8221; WORKS</title>
		<link>http://www.filmthreat.com/blogs/34936/</link>
		<comments>http://www.filmthreat.com/blogs/34936/#comments</comments>
		<pubDate>Sun, 01 May 2011 14:24:42 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Del Toro]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[Horror]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=34936</guid>
		<description><![CDATA["Insidious" still works on the surface of horror by tossing clichés in a well orchestrated attack. But the film grows most powerful when leaving the topical and reaching to the mythical roots of the genre...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/blogs/34936/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>CAVE OF FORGOTTEN DREAMS</title>
		<link>http://www.filmthreat.com/reviews/33748/</link>
		<comments>http://www.filmthreat.com/reviews/33748/#comments</comments>
		<pubDate>Fri, 29 Apr 2011 04:01:16 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Herzog]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=33748</guid>
		<description><![CDATA[Werner Herzog may be obsessed with filming extremes – personalities or natural phenomena – but he finds the grandeur in style to do them justice...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/33748/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE HUMAN RESOURCES MANAGER</title>
		<link>http://www.filmthreat.com/reviews/34555/</link>
		<comments>http://www.filmthreat.com/reviews/34555/#comments</comments>
		<pubDate>Mon, 18 Apr 2011 14:48:58 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=34555</guid>
		<description><![CDATA[2011 PHILADELPHIA CINEFEST SELECTION!  "Manager's" power, like many works of art, lies in its ability to see the larger truth through the minimal, in character, setting, and visual style. It's a well-made piece we must admire, even if it doesn't grab us by the heart.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/34555/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>EXPORTING RAYMOND</title>
		<link>http://www.filmthreat.com/reviews/34465/</link>
		<comments>http://www.filmthreat.com/reviews/34465/#comments</comments>
		<pubDate>Thu, 14 Apr 2011 14:31:51 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[fish out of water]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=34465</guid>
		<description><![CDATA[2011 PHILADELPHIA CINEFEST SELECTION! "Exporting" delivers humor and emotion to a broader audience. When trying to take the lead in another culture, we're all fish out of water...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/34465/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>FILM THREAT AT 2011 PHILADELPHIA CINEFEST</title>
		<link>http://www.filmthreat.com/blogs/34276/</link>
		<comments>http://www.filmthreat.com/blogs/34276/#comments</comments>
		<pubDate>Sun, 10 Apr 2011 19:55:10 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Featured Story]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=34276</guid>
		<description><![CDATA[I hope it won't disappoint you to learn that yours truly, FT writer since 2005, will be frequenting Cinefest screenings from April 7-14, 2011...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>JOHN CARPENTER&#8217;S THE WARD</title>
		<link>http://www.filmthreat.com/reviews/34246/</link>
		<comments>http://www.filmthreat.com/reviews/34246/#comments</comments>
		<pubDate>Sun, 10 Apr 2011 14:47:05 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[John Carpenter]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=34246</guid>
		<description><![CDATA[2011 PHILADELPHIA CINEFEST DANGER AFTER DARK FEATURE! It won't be a spoiler to reveal that “The Ward” is John Carpenter's entry in explain-it-away psychological horror...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>BASTARD SON OF A PRODIGAL SON: INTERVIEW ON &#8220;THE COMPLETE HISTORY OF THE RETURN OF THE LIVING DEAD&#8221;</title>
		<link>http://www.filmthreat.com/interviews/33692/</link>
		<comments>http://www.filmthreat.com/interviews/33692/#comments</comments>
		<pubDate>Wed, 30 Mar 2011 04:05:24 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=33692</guid>
		<description><![CDATA[The story behind Romero's "Dead" series, as grand as it is, has become overwritten. Authors Christian Sellers and Gary Smart consider an unsung offshoot, the "Return of the Living Dead" series...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/interviews/33692/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>SWEET SMELL OF SUCCESS: CRITERION COLLECTION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/32668/</link>
		<comments>http://www.filmthreat.com/reviews/32668/#comments</comments>
		<pubDate>Mon, 07 Mar 2011 20:51:05 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=32668</guid>
		<description><![CDATA[It all begins with the title. The irony aside, its lightness and alliteration suggest the last breaths of one of the film's victims...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>RANGO</title>
		<link>http://www.filmthreat.com/reviews/32643/</link>
		<comments>http://www.filmthreat.com/reviews/32643/#comments</comments>
		<pubDate>Fri, 04 Mar 2011 16:46:53 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=32643</guid>
		<description><![CDATA[A film so committed (and respectful) to the western flubs by basing itself off another style...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>I AM NUMBER FOUR</title>
		<link>http://www.filmthreat.com/reviews/30819/</link>
		<comments>http://www.filmthreat.com/reviews/30819/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 05:05:27 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=30819</guid>
		<description><![CDATA[Perhaps it's best that Caruso kept his hero locked down in high school. This film has the imaginative power of concrete walls and rows of lockers...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/30819/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>EDGAR G. ULMER&#8217;S STRANGE ILLUSION (1945) (DVD)</title>
		<link>http://www.filmthreat.com/reviews/30783/</link>
		<comments>http://www.filmthreat.com/reviews/30783/#comments</comments>
		<pubDate>Thu, 17 Feb 2011 23:09:18 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Detour]]></category>
		<category><![CDATA[Edgar G. Ulmer]]></category>
		<category><![CDATA[Noir]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=30783</guid>
		<description><![CDATA[Though saddled with the script's fetish for Freud, Ulmer stylizes his thriller without sending it adrift. Like his other great films, "Strange Illusion" is a shaggy quickie that takes fine shape throughout...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>SEASON OF THE WITCH</title>
		<link>http://www.filmthreat.com/reviews/29170/</link>
		<comments>http://www.filmthreat.com/reviews/29170/#comments</comments>
		<pubDate>Sat, 08 Jan 2011 04:21:09 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[crusades]]></category>
		<category><![CDATA[Witch-hunt]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=29170</guid>
		<description><![CDATA[We need a serious suspension of disbelief to accept these two aging actors as faultless warriors in tip-top shape...
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>NIGHT CATCHES US</title>
		<link>http://www.filmthreat.com/reviews/28922/</link>
		<comments>http://www.filmthreat.com/reviews/28922/#comments</comments>
		<pubDate>Fri, 24 Dec 2010 05:01:53 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=28922</guid>
		<description><![CDATA[Writer-director Tanya Hamilton has crafted an intriguing narrative even if she struggles to realize it onscreen...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/28922/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>SKYLINE</title>
		<link>http://www.filmthreat.com/reviews/28264/</link>
		<comments>http://www.filmthreat.com/reviews/28264/#comments</comments>
		<pubDate>Fri, 26 Nov 2010 23:02:12 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alien Invasion]]></category>
		<category><![CDATA[SF-horror]]></category>
		<category><![CDATA[Stause brothers]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=28264</guid>
		<description><![CDATA[“Skyline,” if not always successful, refashions the modern alien invasion motif as the hopeless siege that it should be...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/28264/feed/</wfw:commentRss>
		<slash:comments>16</slash:comments>
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		<title>TRUTH OR DARE? A CRITICAL MADNESS</title>
		<link>http://www.filmthreat.com/reviews/24314/</link>
		<comments>http://www.filmthreat.com/reviews/24314/#comments</comments>
		<pubDate>Tue, 17 Aug 2010 04:01:24 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[direct-to-video]]></category>
		<category><![CDATA[exploitation]]></category>
		<category><![CDATA[Horror]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=24314</guid>
		<description><![CDATA[The cornball synthesizer score and hammy amateur performances will have thirtysomethings recalling fond, bygone viewings...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;I DON&#8217;T INTELLECTUALIZE IT TOO MUCH&#8221;: INTERVIEW WITH RYAN DUNN</title>
		<link>http://www.filmthreat.com/interviews/22442/</link>
		<comments>http://www.filmthreat.com/interviews/22442/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 04:01:43 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=22442</guid>
		<description><![CDATA[Sitting down with Ryan Dunn, star of the television series "Jackass" and "Viva La Bam," is like meeting up with an old high school buddy who's kept the party alive ever since. Dunn talks about his new film, "Living Will," and his career in television, movies, and everything in between...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/interviews/22442/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>NICHOLAS RAY&#8217;S BIGGER THAN LIFE: CRITERION COLLECTION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/21499/</link>
		<comments>http://www.filmthreat.com/reviews/21499/#comments</comments>
		<pubDate>Wed, 21 Apr 2010 04:01:24 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=21499</guid>
		<description><![CDATA[As far as the narrative goes, drop the “Reefer” and call this film “Cortisone Madness”... <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>MAKE WAY FOR TOMORROW: CRITERION COLLECTION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/20209/</link>
		<comments>http://www.filmthreat.com/reviews/20209/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 07:11:33 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.filmthreat.com/?p=20209</guid>
		<description><![CDATA[The early Hollywood studio system loved to sensationalize.  A property rooted in character would turn melodramatic for the populace, making true drama a rarity for the time.  Leo McCarey's "Make Way for Tomorrow" (1937) is this kind of rarity...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/20209/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>MEAT LOAF &#8220;BAT OUT OF HELL&#8221;: THE ORIGINAL TOUR (DVD)</title>
		<link>http://www.filmthreat.com/reviews/12015/</link>
		<comments>http://www.filmthreat.com/reviews/12015/#comments</comments>
		<pubDate>Wed, 02 Dec 2009 05:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1874293103</guid>
		<description><![CDATA[If there's a purgatory for wedding haters, I'd guess that Meat Loaf's "Bat Out of Hell" is on the soundtrack loop.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/12015/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>BRIGHT LIGHTS, BIG CINE: INTERVIEW WITH BRIGHT LIGHTS EDITOR GARY MORRIS</title>
		<link>http://www.filmthreat.com/interviews/1261/</link>
		<comments>http://www.filmthreat.com/interviews/1261/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 05:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://1475409894</guid>
		<description><![CDATA[Having published a new anthology of interviews, <i>Bright Lights Film Journal</i> editor Gary Morris talks about film culture, online criticism, and the interview as a form of commentary...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/interviews/1261/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>FANTASTIC MR. FOX</title>
		<link>http://www.filmthreat.com/reviews/12004/</link>
		<comments>http://www.filmthreat.com/reviews/12004/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1094625963</guid>
		<description><![CDATA[Critics galore are fawning over Wes Anderson's move to animation.  Why all the fuss? – the man's been staging puppet shows for years. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/12004/feed/</wfw:commentRss>
		<slash:comments>28</slash:comments>
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		<title>THE GOLDEN AGE OF TELEVISION (1953-58): THE CRITERION COLLECTION SET</title>
		<link>http://www.filmthreat.com/reviews/12011/</link>
		<comments>http://www.filmthreat.com/reviews/12011/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1236754001</guid>
		<description><![CDATA[The high-pressure environment of live television was described as “Summer Stock in an iron lung.”  Perhaps the programs' invigorating style required such energy. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/12011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>PROMETHEUS TRIUMPHANT: A FUGUE IN THE KEY OF FLESH</title>
		<link>http://www.filmthreat.com/reviews/12003/</link>
		<comments>http://www.filmthreat.com/reviews/12003/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1716185660</guid>
		<description><![CDATA[Shortchanging on plot, the film is still a fun celebration of a classical tradition.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/12003/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>NEW BLOOD FOR “NEW MOON”: INTERVIEW WITH DANIEL CUDMORE AND CHARLEY BEWLEY</title>
		<link>http://www.filmthreat.com/interviews/1259/</link>
		<comments>http://www.filmthreat.com/interviews/1259/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://677927121</guid>
		<description><![CDATA[Having stopped at Philadelphia as part of their press run for "New Moon," these actors seemed delighted to be on the “Twilight” juggernaut.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/interviews/1259/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>PIRATE RADIO</title>
		<link>http://www.filmthreat.com/reviews/11989/</link>
		<comments>http://www.filmthreat.com/reviews/11989/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://240672936</guid>
		<description><![CDATA[Things start sinking by the opening minutes.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11989/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>LUIS BUNUEL&#8217;S DEATH IN THE GARDEN (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11982/</link>
		<comments>http://www.filmthreat.com/reviews/11982/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1711604366</guid>
		<description><![CDATA[One of the masters of cinema continually thrills because he grabs us from the outside (i.e., through social commentary) and the inside (by tapping into the psychological). <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11982/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>THE FOURTH KIND</title>
		<link>http://www.filmthreat.com/reviews/11967/</link>
		<comments>http://www.filmthreat.com/reviews/11967/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1707510563</guid>
		<description><![CDATA[“The Fourth Kind” musters all its strength to set up a purportedly true-life scenario about alien sightings, only to give itself away at every turn.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11967/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE BOX</title>
		<link>http://www.filmthreat.com/reviews/11980/</link>
		<comments>http://www.filmthreat.com/reviews/11980/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1617624979</guid>
		<description><![CDATA[<b><i>TWILIGHT ZONE FRIDAY!</b></i> Like in the better moments of "Donnie Darko," Kelly serves up suspense and dread - until he moves into act three by sending his story into a nebulous orbit.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11980/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>SHADOW BILLIONAIRE</title>
		<link>http://www.filmthreat.com/reviews/11963/</link>
		<comments>http://www.filmthreat.com/reviews/11963/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1188134586</guid>
		<description><![CDATA[“Shadow Billionaire” sports many twists and turns, with the intrigue and insight of top-tier journalism.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11963/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>ON GREENING THE CITY: INTERVIEW WITH FILMMAKER IAN CHENEY</title>
		<link>http://www.filmthreat.com/interviews/1254/</link>
		<comments>http://www.filmthreat.com/interviews/1254/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://2049239925</guid>
		<description><![CDATA[In "The Greening of Southie," filmmaker Ian Cheney documents the excitement and consequences of an environmentally conscious construction movement. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>ANTICHRIST</title>
		<link>http://www.filmthreat.com/reviews/11862/</link>
		<comments>http://www.filmthreat.com/reviews/11862/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 05:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1339047399</guid>
		<description><![CDATA[This wretched thing should have been snuffed out at the drawing board.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>AMELIA</title>
		<link>http://www.filmthreat.com/reviews/11955/</link>
		<comments>http://www.filmthreat.com/reviews/11955/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://69451744</guid>
		<description><![CDATA[Hilary Swank settles into a stylized groove that's miles from the viscerally realistic approach to her best work.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>A SERIOUS MAN</title>
		<link>http://www.filmthreat.com/reviews/11945/</link>
		<comments>http://www.filmthreat.com/reviews/11945/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://400468456</guid>
		<description><![CDATA[As in “Barton Fink,” all these roles are stylized, artificial; like dream images, they represent fears and desires more than people.  
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>URS</title>
		<link>http://www.filmthreat.com/reviews/11937/</link>
		<comments>http://www.filmthreat.com/reviews/11937/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1051648674</guid>
		<description><![CDATA[Moritz Mayerhofer cleverly revises an ancient narrative archetype.  “Urs” is cinema as a fleeting dream image.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11937/feed/</wfw:commentRss>
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		<title>WHERE THE WILD THINGS ARE</title>
		<link>http://www.filmthreat.com/reviews/11934/</link>
		<comments>http://www.filmthreat.com/reviews/11934/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1001481811</guid>
		<description><![CDATA[Jonze's camera gazes upon Carrol and company just like countless readers have, and thus “Where the Wild Things Are” tributes and adds to its inspiration.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11934/feed/</wfw:commentRss>
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		<title>BRIGHT STAR</title>
		<link>http://www.filmthreat.com/reviews/11920/</link>
		<comments>http://www.filmthreat.com/reviews/11920/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://424765339</guid>
		<description><![CDATA[Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11920/feed/</wfw:commentRss>
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		<title>IN A DREAM (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11910/</link>
		<comments>http://www.filmthreat.com/reviews/11910/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1191709263</guid>
		<description><![CDATA[The elements of this documentary on mosaic artist Isaiah Zagar hum into a glorious experience, with its narrative as captivating as its visualization.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>TURN ME ON, DEAD MAN</title>
		<link>http://www.filmthreat.com/reviews/11901/</link>
		<comments>http://www.filmthreat.com/reviews/11901/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://66385452</guid>
		<description><![CDATA[The filmmakers allegorize a theory about the popular “Paul is Dead” rumor: that it signaled the band's death by hoaxing its member's.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11901/feed/</wfw:commentRss>
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		<title>CLOUDY WITH A CHANCE OF MEATBALLS</title>
		<link>http://www.filmthreat.com/reviews/11888/</link>
		<comments>http://www.filmthreat.com/reviews/11888/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1787537246</guid>
		<description><![CDATA[The fantastic journey stems from the kids' housebound daydreaming - dinner time is inescapable, after all.  
 
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>THE BURNING PLAIN</title>
		<link>http://www.filmthreat.com/reviews/11675/</link>
		<comments>http://www.filmthreat.com/reviews/11675/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://218930531</guid>
		<description><![CDATA[Fate breeds fatalism in a tale that Guillermo Arriaga masterfully writes and directs.  It's realized so beautifully and viscerally that – I hate to say it – Alejandro González Iñárritu now seems a little obsolete. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>ONCE AGAIN, &#8220;NY POST&#8217;S&#8221; KYLE SMITH ASKS FOR A BEATDOWN&#8230;</title>
		<link>http://www.filmthreat.com/news//</link>
		<comments>http://www.filmthreat.com/news//#comments</comments>
		<pubDate>Wed, 16 Sep 2009 05:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://2130752147</guid>
		<description><![CDATA[Must a children's film be politicized?<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/news/feed/</wfw:commentRss>
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		<title>DAVID MAMET&#8217;S HOMICIDE (CRITERION COLLECTION) (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11879/</link>
		<comments>http://www.filmthreat.com/reviews/11879/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://295246783</guid>
		<description><![CDATA[As Mamet writes, so he directs – his shots get to the point, usually one we don't forget.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11879/feed/</wfw:commentRss>
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		<title>MURNAU: THE SIX-DISC KINO COLLECTION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11815/</link>
		<comments>http://www.filmthreat.com/reviews/11815/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1073151842</guid>
		<description><![CDATA[Even the most passionate lover of cinema couldn't dream up an origin myth better than F.W. Murnau. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11815/feed/</wfw:commentRss>
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		<title>THE HEADLESS WOMAN (LA MUJER SIN CABEZA)</title>
		<link>http://www.filmthreat.com/reviews/11854/</link>
		<comments>http://www.filmthreat.com/reviews/11854/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://478093974</guid>
		<description><![CDATA[<i><b>IN LIMITED RELEASE!</i></b> “The Headless Woman” settles into the episodic without the necessary character development – it's a slice of life too slight for its own good.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>DISTRICT 9</title>
		<link>http://www.filmthreat.com/reviews/11844/</link>
		<comments>http://www.filmthreat.com/reviews/11844/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1806390451</guid>
		<description><![CDATA[The humanity of “District 9” adds another dimension to this multilayered, rewarding work – one of the best of the summer, and undoubtedly the most inventive from the multiplex this year.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>JULIE &amp; JULIA</title>
		<link>http://www.filmthreat.com/reviews/11839/</link>
		<comments>http://www.filmthreat.com/reviews/11839/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://221882202</guid>
		<description><![CDATA[Julie's setbacks are dealt out like the hand in a game we don't want to play anymore.  We want to drop the cards and stay over at Julia's winning table.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>THE PERVERT&#8217;S GUIDE TO CINEMA (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11836/</link>
		<comments>http://www.filmthreat.com/reviews/11836/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://490186291</guid>
		<description><![CDATA[Cinematically speaking, you my find your meeting with psychoanalyst/film theorist Slavoj Zizek to be a near-religious experience.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11836/feed/</wfw:commentRss>
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		<title>FUNNY PEOPLE</title>
		<link>http://www.filmthreat.com/reviews/11832/</link>
		<comments>http://www.filmthreat.com/reviews/11832/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1089331514</guid>
		<description><![CDATA[Judd Apatow deconstructs show business and reconciles humanity with the industry that often loses it. And he delivers the funniest release of the summer. (Move over, "Hangover.") <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<title>ROMAN POLANSKI&#8217;S REPULSION: CRITERION COLLECTION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11829/</link>
		<comments>http://www.filmthreat.com/reviews/11829/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://68489638</guid>
		<description><![CDATA[The director deploys suspense techniques with surrealistic touches – both of which would seem dated today were they not so sharply weaved together.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11829/feed/</wfw:commentRss>
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		<title>LEFT BANK</title>
		<link>http://www.filmthreat.com/reviews/11653/</link>
		<comments>http://www.filmthreat.com/reviews/11653/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://615940764</guid>
		<description><![CDATA[<i><b>FANTASIA FILM FESTIVAL FEATURE!</i></b> Hell is upon us in the opening minutes of “Left Bank,” especially if we think of hell as a state of mind.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11653/feed/</wfw:commentRss>
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		<title>I SELL THE DEAD</title>
		<link>http://www.filmthreat.com/reviews/11657/</link>
		<comments>http://www.filmthreat.com/reviews/11657/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://640673746</guid>
		<description><![CDATA[<i><b>FANTASIA FILM FESTIVAL REVIEW!</i></b> Glenn McQuaid's “I Sell the Dead” sports playful genre inventiveness, in which fans can delight and even outsiders can enjoy.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11657/feed/</wfw:commentRss>
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		<title>WEAK SPECIES</title>
		<link>http://www.filmthreat.com/reviews/11823/</link>
		<comments>http://www.filmthreat.com/reviews/11823/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://63676692</guid>
		<description><![CDATA[<i><b>PHILADELPHIA QFEST SHORT FILM!</i></b> Writer/director Dan Faltz seems at odds with the formulaic expectations we have for such roles, and serves up an equally disturbing and darkly comic experience.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11823/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>ROD SERLING&#8217;S PATTERNS: THEATRICAL VERSION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11816/</link>
		<comments>http://www.filmthreat.com/reviews/11816/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1535167259</guid>
		<description><![CDATA["Patterns" depicts a call of humanity caught in a competitive world. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11816/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>NOT QUITE HOLLYWOOD: THE WILD, UNTOLD STORY OF OZPLOITATION!</title>
		<link>http://www.filmthreat.com/reviews/11678/</link>
		<comments>http://www.filmthreat.com/reviews/11678/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1662020199</guid>
		<description><![CDATA[Oddball horror flicks, sexploitation romps, car-chase extravaganzas – the clips burn throughout this film with a tone as giddy as its subject. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11678/feed/</wfw:commentRss>
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		<title>PORNOGRAPHY</title>
		<link>http://www.filmthreat.com/reviews/11804/</link>
		<comments>http://www.filmthreat.com/reviews/11804/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://2064480028</guid>
		<description><![CDATA[<i><b>PHILADEPLHIA QFEST REVIEW!</i></b> Sometimes terror comes so strong that clarity need not apply.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11804/feed/</wfw:commentRss>
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		<title>PUBLIC ENEMIES</title>
		<link>http://www.filmthreat.com/reviews/11799/</link>
		<comments>http://www.filmthreat.com/reviews/11799/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://443030891</guid>
		<description><![CDATA[This is the purest of American narratives, and this, indeed, is one of our finest storytellers.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11799/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>JOHN HUSTON&#8217;S WISE BLOOD: CRITERION COLLECTION (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11792/</link>
		<comments>http://www.filmthreat.com/reviews/11792/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1625959952</guid>
		<description><![CDATA[Huston stays true to the novel's events but draws from the story all the black comedy he can find.  We are in strange territory.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11792/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>FOOD, INC.</title>
		<link>http://www.filmthreat.com/reviews/11785/</link>
		<comments>http://www.filmthreat.com/reviews/11785/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://211248864</guid>
		<description><![CDATA[<i><b>IN LIMITED RELEASE!</i></b> Be prepared when seeing this film: you'll ponder the old adage about being what you eat.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11785/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>WHITE RADISHES</title>
		<link>http://www.filmthreat.com/reviews/11773/</link>
		<comments>http://www.filmthreat.com/reviews/11773/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://960566632</guid>
		<description><![CDATA[Filmmaker Christina Won intends for us to revel in the ambiguity, if only there were enough present.  
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>PRESSURE COOKER</title>
		<link>http://www.filmthreat.com/reviews/11767/</link>
		<comments>http://www.filmthreat.com/reviews/11767/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://38587629</guid>
		<description><![CDATA[<i><b>IN LIMITED RELEASE!</i></b> I grew a deep hunger while watching "Pressure Cooker," not just from the students' mouthwatering dishes, but from the fact that teacher/chef Wilma Stephenson could uniformly inspire such success. 
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>UP</title>
		<link>http://www.filmthreat.com/reviews/11758/</link>
		<comments>http://www.filmthreat.com/reviews/11758/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1651284580</guid>
		<description><![CDATA[After a strong takeoff, "Up" lands on dead grounds.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11758/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>DRAG ME TO HELL</title>
		<link>http://www.filmthreat.com/reviews/11751/</link>
		<comments>http://www.filmthreat.com/reviews/11751/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://155304787</guid>
		<description><![CDATA[Resistance and rebellion to the studio routine resounds throughout “Drag Me to Hell,” and as a return to the filmmaker's original witty shocks and gross-outs, how goddamn touching it is.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11751/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>JEAN GENET&#8217;S UN CHANT D&#8217;AMOUR (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11744/</link>
		<comments>http://www.filmthreat.com/reviews/11744/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://394602818</guid>
		<description><![CDATA[So playful that it plays like a series of whims with little sensibility to unify them.  Artistic inspiration is undoubtedly at work, but the ideas cannot solidify into art. 
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11744/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>OUTRAGE</title>
		<link>http://www.filmthreat.com/reviews/11739/</link>
		<comments>http://www.filmthreat.com/reviews/11739/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://133753620</guid>
		<description><![CDATA[<i><b>IN LIMITED RELEASE!</i></b> Do I sound outraged?  Well, this film about closeted gay politicians will do it to you.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11739/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>BACK TO THE TRICKY PAST: THE JOYS AND FALLOUT OF THE NEW &#8220;TREK&#8221;</title>
		<link>http://www.filmthreat.com/features/2325/</link>
		<comments>http://www.filmthreat.com/features/2325/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://1232506207</guid>
		<description><![CDATA[<b><i>ATTACK OF THE NEW TREK!</b></i> Caught in the current remake craze, the new "Trek," alas, wants to transcend time.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/features/2325/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SAUNA</title>
		<link>http://www.filmthreat.com/reviews/11722/</link>
		<comments>http://www.filmthreat.com/reviews/11722/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://2010004977</guid>
		<description><![CDATA[Director AJ Annila bends the tone before our eyes, as the characters' duties to the nation and the future collapse into guttural B-movie terror.  We follow his lead and don't give a damn if it all amounts to nonsense.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11722/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>MAKE-OUT WITH VIOLENCE</title>
		<link>http://www.filmthreat.com/reviews/11710/</link>
		<comments>http://www.filmthreat.com/reviews/11710/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://296359095</guid>
		<description><![CDATA[“Make-Out with Violence” is proud of its dual identity, yet it suffers from an identity crisis.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11710/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DAVID LYNCH &amp; CRISPIN GLOVER&#8217;S BIG OFFICE BLOCKBUSTER!</title>
		<link>http://www.filmthreat.com/reviews/11703/</link>
		<comments>http://www.filmthreat.com/reviews/11703/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://558518960</guid>
		<description><![CDATA[This parody series is a delightful slap to any film geek's face.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11703/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RUSS MEYER&#8217;S BLACK SNAKE (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11690/</link>
		<comments>http://www.filmthreat.com/reviews/11690/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1054230593</guid>
		<description><![CDATA[Forget the "Moan" – Russ Meyer sensationalizes the whip and offers maniacal slaveowners in this screwy vision of a colonial plantation, circa 1835.  <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11690/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DUPLICITY</title>
		<link>http://www.filmthreat.com/reviews/11642/</link>
		<comments>http://www.filmthreat.com/reviews/11642/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://362744548</guid>
		<description><![CDATA[This film entertains through gameplay, turning suspenseful, comic, then romantic as if in the hands of a master card dealer.  But Gilroy's trickeries can be revealed by just slightly encroaching the stage. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11642/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE EARLY WORKS OF CHERYL DUNYE (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11641/</link>
		<comments>http://www.filmthreat.com/reviews/11641/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://198572558</guid>
		<description><![CDATA[Dunye's documentary style is so personal that it seems confessional, almost therapeutic.  The results are self-assured, natural, and fascinating.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11641/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RACE TO WITCH MOUNTAIN</title>
		<link>http://www.filmthreat.com/reviews/11627/</link>
		<comments>http://www.filmthreat.com/reviews/11627/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1273161124</guid>
		<description><![CDATA[Kids will want to root for their alien counterparts on screen.  But they are second fiddle to the Rock wracking it up.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11627/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE DRILLER KILLER (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11613/</link>
		<comments>http://www.filmthreat.com/reviews/11613/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://346013047</guid>
		<description><![CDATA[This 1979 budgeter from Abel Ferrara takes up from the 70s grindhouse and precedes the flourishing horror-comedies of the 80s.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11613/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>THE CLASS</title>
		<link>http://www.filmthreat.com/reviews/11583/</link>
		<comments>http://www.filmthreat.com/reviews/11583/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://493819342</guid>
		<description><![CDATA[The film's stunt is to unveil a simple truth, and its reputation relies on the fact that other filmmakers have yet to make the jump.  
 
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11583/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>VICKY CRISTINA BARCELONA</title>
		<link>http://www.filmthreat.com/reviews/11149/</link>
		<comments>http://www.filmthreat.com/reviews/11149/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://824107021</guid>
		<description><![CDATA[<b>OSCAR WINNER FOR BEST SUPPORTING ACTRESS 2009</b> Once again, Johansson is out of step in Woody's contrived universe, the rest of which hums the film into an intelligent late-summer diversion...<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11149/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE READER</title>
		<link>http://www.filmthreat.com/reviews/11426/</link>
		<comments>http://www.filmthreat.com/reviews/11426/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://198829318</guid>
		<description><![CDATA[<b>OSCAR WINNER FOR BEST ACTRESS 2009</b> Is it possible to make a bare Winslet, both posing and in coitus, flat-out boring?  This miraculous piece of crap proves it so.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11426/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>ODE TO THE DAVID LYNCH WEEPIES</title>
		<link>http://www.filmthreat.com/features/2290/</link>
		<comments>http://www.filmthreat.com/features/2290/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://1106578918</guid>
		<description><![CDATA[<b><i>FILM THREATS SEVEN DAYS OF VD!!!</b></i>  Lynch has tread a “Highway,” a “Drive,” and an “Empire,”...but does his best work let tears dampen the fires?
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/features/2290/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>CORALINE (3D)</title>
		<link>http://www.filmthreat.com/reviews/11557/</link>
		<comments>http://www.filmthreat.com/reviews/11557/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://152726145</guid>
		<description><![CDATA[A mastery of inspiration by writer-director Henry Selick.  At the finale of this visual delight, every hired hand and technician also deserve acclaim.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11557/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>INKHEART</title>
		<link>http://www.filmthreat.com/reviews/11527/</link>
		<comments>http://www.filmthreat.com/reviews/11527/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://420711521</guid>
		<description><![CDATA[This children's fantasy flirts with the dark side, though family values win out. <p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11527/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ALICE IN WASTELAND (DVD)</title>
		<link>http://www.filmthreat.com/reviews/11509/</link>
		<comments>http://www.filmthreat.com/reviews/11509/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1314293313</guid>
		<description><![CDATA[<b><i>NEW THIS WEEK ON DVD...</i></b> In this "Kill Billish" revenger pastiche, the humorous tone of the script appears alien to the filmmakers.<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11509/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DEFIANCE</title>
		<link>http://www.filmthreat.com/reviews/11477/</link>
		<comments>http://www.filmthreat.com/reviews/11477/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate>
		<dc:creator>Matthew Sorrento</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://1242057659</guid>
		<description><![CDATA[A little sentimentality  can fuel a lot of action, yet Zwick buries his film in cloying guilt, in the end sinking "Defiance" with the holocaust film's bait.
<p>Read More at <a href="http://www.filmthreat.com">FilmThreat.com</a></p>]]></description>
		<wfw:commentRss>http://www.filmthreat.com/reviews/11477/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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