Bonjour filmmakers! Welcome to Going Bionic, #211. The Cannes Film Festival and Cannes Film Market kick-off tomorrow, so today I’m taking care of a few last-minute preparations before I embark upon my favorite cinematic event of the year…
Posted on May 13, 2014 by Hammad Zaidi
The Festival de Cannes (Cannes Film Festival) is about celebrating great films, while the Marche du Film (Cannes Film Market) is about celebrating great film sales…
Posted on May 6, 2014 by Hammad Zaidi
GOING BIONIC: DISTRIBUTING INDEPENDENT FILMS INTERNATIONALLY – LOOKING AHEAD TO THE 67TH ANNUAL CANNES FILM FESTIVAL!
Today we’re taking a peek ahead at the 67th annual Cannes Film Festival; the world’s most culturally and economically significant film festival.
Posted on April 29, 2014 by Hammad Zaidi
So, if people already hate your title, and if distributors aren’t scooping up your film like homemade ice cream on a sweltering summer day, then maybe you should alter the name of your film…
Posted on April 22, 2014 by Hammad Zaidi
Buyers were in a damn good mood. That’s how the week started. But like most great flash-in-the-pan romances, the love affair between buyers and the content they were there to buy turned into a messy divorce by midweek…
Posted on April 15, 2014 by Hammad Zaidi
I was going to wait until next Tuesday to give you my overall report on this market, but I believe covering MIPTV’s most important day sooner as opposed to later is more beneficial to you. So, here’s how day one of MIPTV looked from the inside.
Posted on April 8, 2014 by Hammad Zaidi
Today we’re diving into part two of our focus on MIPTV 2014. I’m heading to Cannes for MIPTV this Saturday, so I’ll surely give you a real-time update of the happenings in the South of France in the coming weeks. Until then, here’s more about MIPTV, the World’s premiere content market for “screens of all sizes”…
Posted on April 1, 2014 by Hammad Zaidi
I’ll be attending the 51st annual MIPTV conference in Cannes, France from April 7-10, so I thought today I’d start a two-part mini-series on getting you familiarized with MIPTV 2014…
Posted on March 25, 2014 by Hammad Zaidi
GOING BIONIC: DISTRIBUTING INDEPENDENT FILMS INTERNATIONALLY – IN HONOR OF AUSTIN: MAKING A SUCCESSFUL MICROBUDGET INDIE IN TODAY’S MARKETPLACE
In honor of Austin, the city that cultivated the indie film movement with such classics as Richard Linklater’s “Slacker” (1991) and Robert Rodriguez’s “El Mariachi” (1993), today we’re discussing five things that will help your micro-budget indie feature thrive in today’s marketplace…
Posted on March 18, 2014 by Hammad Zaidi
GOING BIONIC: DISTRIBUTING INDEPENDENT FILMS INTERNATIONALLY – THE GRAND BUDAPEST HOTEL’S “GRAND” PER SCREEN AVERAGE!
Today we’re discussing Wes Anderson’s The Grand Budapest Hotel, because it just became the single highest per screen average for a limited release live action release in the history of cinema.
Posted on March 11, 2014 by Hammad Zaidi
GOING BIONIC: DISTRIBUTING INDEPENDENT FILMS INTERNATIONALLY – THE ‘LITTLE FILMS’ NEARLY SWEEP THE OSCARS!
The 86th Academy Awards offered few surprises, but one thing it did offer is a tremendous amount of hope to smaller films….
Posted on March 4, 2014 by Hammad Zaidi
Welcome to Going Bionic, #200! Today’s column marks our second century mark, so we should do something special, shouldn’t we?
Posted on February 25, 2014 by Hammad Zaidi
GOING BIONIC: DISTRIBUTING INDEPENDENT FILMS INTERNATIONALLY – “THE LEGO MOVIE”: A BLUEPRINT FOR SUCCESS
While you may not think a toy-inspired studio film has anything to do with your indie film career, you may want to think outside of your indie box today. Hollywood is full of copycats, and once an industry leader (i.e. in this case Warner Brothers) is successful on a low-risk/high return formula, all others tend to follow their lead…
Posted on February 18, 2014 by Hammad Zaidi
GOING BIONIC: DISTRIBUTING INDEPENDENT FILMS INTERNATIONALLY – GREETINGS FROM THE BERLIN FILM FESTIVAL/EUROPEAN FILM MARKET – 2014!
Since it seems as though half of the globe is represented here, such representation brings millions of dollars of development and production funds. Thus, filmmakers who are interested in co-production opportunities would almost certainly enhance their Rolodex here in Berlin…
Posted on February 11, 2014 by Hammad Zaidi
Lets reach into the depths of your recent questions and see what we can do about offering some clarity to some of the issues that litter our world of independent cinema…
Posted on February 4, 2014 by Hammad Zaidi