THE EYE OF THE BEHOLDER
|
In this short, black and white collage film, we see a man staring, covering and uncovering his eyes, and pointing a movie camera. We see high contrast black and white stills of fences and earthenware sculptures which are “panned and scanned.” We see bare branches against a white sky. Many of these images have been hand-processed so that they are engulfed by flares of white light or criss-crossed by white lines. The soundtrack is a collage of very distinct, identifiable sounds: a typewriter, a ticking clock, a heartbeat.
As the title suggests, the film seems to be a celebration of vision itself, of how light and darkness come together to make images, which, like the film’s sounds, each have a distinct individuality which make up the texture and experience of life.
Posted on December 22, 2003 in Reviews by David Finkelstein
| Share | |||
| Buffer | Tweet | Follow @FilmThreat |
If you liked this review than you may also like the following articles:
- SECURE THE SHADOW… ERE THE SUBSTANCE FADE
- THE FLOOR OF THE WORLD
- STILLS + MOVING PICTURES = STORY
- TELEMETRY
- THE KNOCKING
Tell us what you're thinking...
Comments are governed by the Terms of Use of this Site. Click on the "Report Comment" link if you feel a comment is in violation of the Terms of Use, and the comment will be reviewed appropriately.
